Realizado por: Luna Marán, Julia Barco, Nadia Massún, Marietta Bernstorff and Jessica Gonzalez.
Sunday, August 30, 2009
Square Plates Dinnerware Set
VIDEO "THE CORN IS OUR LIFE"
Realizado por: Luna Marán, Julia Barco, Nadia Massún, Marietta Bernstorff and Jessica Gonzalez.
Realizado por: Luna Marán, Julia Barco, Nadia Massún, Marietta Bernstorff and Jessica Gonzalez.
Saturday, August 29, 2009
Where To Buy Honey Rose Cigarettes
To improve the performance of the group have decided to create a steering committee. This committee and the group is open to change. If someone wants to participate can join when you want, and if someone need to leave can. what is meant is that there is always about five artists to take the appropriate decisions at any given moment.
in DF.: Adriana Calatayud, Guisanse Selma, Ana Gomez
In Oaxaca: Emilia Sanoval, Edith Morales, Noel Chilton, Marietta Bernstorff, Mariana Gullco
who still need to take care of the blog MARKET BAG. Anyone interested please contact Marietta
How Long Does A Glandular Fever Rash Last
CENTER STEERING COMMITTEE OF THE RACE, san diego
"In southern Mexico, women spend several hours a day making the perfect dough to produce large, thin tortillas. The video is a tribute to the sustenance of life and texture of life itself, threatened by the introduction of genetically modified maize, which can devastate corn types that have been developed naturally over millennia. "
" In ell Popol Vuh, the sacred book of the Quiche Maya, describes the origin of man as a being made of corn. The video suggests a human being transformed into a Barbie, or a transgenic corn. "
" The Monsanto House of the Future was created by Monsanto's plastics division. Existed in Disneyland, California, from 1957 to 1967. It was made mostly of plastic and had ideas such as microwave dishwasher used instead of water. It is said that rather than demolished in one day took two weeks because the wrecking ball bounced. DAS is the perfect place to "wipe out everything," burying the house of transgenic corn. "
" In January 2007 the Mexican government approved a rise in prices corn, a product based on the Mexican diet. This irresponsible action threatens the power of millions of Mexicans living in extreme poverty, and is putting at risk the landraces of maize into the country's maize transgénico.
Suben y bajo es una analogía, mientras sigan subiendo los precios de las tortillas, los mexicanos seguiremos bajando de calidad de vida."
"A partir de que el Partido Acción Nacional (PAN) toma el poder de la República Mexicana, se dieron muchos cambios en la alza de la canasta básica, de igual modo se incrementaron las posibilidades del ingreso a nuestro país del maíz transgénico. La pieza ( que en un principio fue cartel y ahora se plantea para intervención sobre muro), hace referencia de manera irónica a la paradoja de la alza al precio de la tortilla and not used to the PAN, as the current governing party government. "
"In southern Mexico, women spend several hours a day making the perfect dough to produce large, thin tortillas. The video is a tribute to the sustenance of life and texture of life itself, threatened by the introduction of genetically modified maize, which can devastate corn types that have been developed naturally over millennia. "
Julia Barco
" In ell Popol Vuh, the sacred book of the Quiche Maya, describes the origin of man as a being made of corn. The video suggests a human being transformed into a Barbie, or a transgenic corn. "
Gitte Daehlin
" The Monsanto House of the Future was created by Monsanto's plastics division. Existed in Disneyland, California, from 1957 to 1967. It was made mostly of plastic and had ideas such as microwave dishwasher used instead of water. It is said that rather than demolished in one day took two weeks because the wrecking ball bounced. DAS is the perfect place to "wipe out everything," burying the house of transgenic corn. "
Laura Alvarez
" In January 2007 the Mexican government approved a rise in prices corn, a product based on the Mexican diet. This irresponsible action threatens the power of millions of Mexicans living in extreme poverty, and is putting at risk the landraces of maize into the country's maize transgénico.
Suben y bajo es una analogía, mientras sigan subiendo los precios de las tortillas, los mexicanos seguiremos bajando de calidad de vida."
Luna Marán
"A partir de que el Partido Acción Nacional (PAN) toma el poder de la República Mexicana, se dieron muchos cambios en la alza de la canasta básica, de igual modo se incrementaron las posibilidades del ingreso a nuestro país del maíz transgénico. La pieza ( que en un principio fue cartel y ahora se plantea para intervención sobre muro), hace referencia de manera irónica a la paradoja de la alza al precio de la tortilla and not used to the PAN, as the current governing party government. "
Ana Santos
Friday, August 28, 2009
Yamaha Phazer Race Parts
CUBA 2009 Biennial Festival
MAMAZ group at the opening of the Biennale.
Center Wilfredo Lam Contemporary Art, 03.27.2009 to 04.30.2009 La Habana Vieja, Cuba HAVANA BIENNIAL
X
INTEGRATION AND RESISTANCE TO THE GLOBAL ERA
In Ibil Hernández Abascal in 2007, one of the curators of the Biennial of Havana, visit Oaxaca where he meets the project "Maize is our life. " Moved by this voice of protest, consisting of the most diverse languages \u200b\u200band discourses, which seeks to educate and raise awareness to consumers on a crop that is actually CULTURE and an essential part of our identity, Ibil Hernández decided to include it in the next Biennial.
For the Biennial, THE CORN IS OUR LIFE, curated by Bersntorff Marietta, outlined in the Provincial Center of Plastic Arts and Design, an old two-story and personality. The exhibition brings together around 25 artists and is composed of photographs, video, installation, shadow theater, poster and a piece of intervention. It opens with a presentation by the curator Marietta Bernstorff and tamaliza, and soon became a party with music, mezcal and much corn.
Visited by hundreds of people, the show received favorable reviews, it was one of the projects which best reflected the premise of the Biennale. "Corn is our life" converges but not merged, respecting each source and context, linking the different voices in a cry dealer and relentless. Defending addition, a clear victim of globalization, and here I mean not only to corn as feed, but corn as identity, the identity of a people thousands of years.
Jessica Segall, 2009
Accompanying
the exhibition was the project "MARKET BAG", who participated with about 95 objects developed by artisans and artists from Mexico and Cuba.
Also, on March 20, opened the workshop on "Meeting of manners" taught by Marietta Bernstorff, with the participation of 25 Cuban women. This group talked about the origin of maize, differences in native seeds and the taste of food made with natural varieties, in order to bring "back the memory of our cultures."
During the workshop, and after covering the theoretical framework, we divided the group into two, half worked on native corn and the other half with transgenic maize. With the results of this activity made a collage piece that served as the entrance to the exhibition and a symbol of our solidarity with the Cuban women.
LaPiztola, 2009
Emilia Sandoval, 2009
Mariana Gullco, 2009
Martha Toledo, 2009
Adriana Calatayud, 2009
Juane Quick to See Smith , 2009
Juane Quick to See Smith, 2009
Opening the sample, La Habana 2009
Artists invited (Mexico, USA and Cuba), curated by Marietta Bernstorff:
Guisande
Selma Emilia Sandoval Adriana Calatayud
Gullco
Mariana Lorena Silva Gitte Daelin
Martha Toledo
Sara Santos Ana Corenstein Woldenberg
Mari Olguín
Juane Quick to See Smith
Jessica Segall
Jacqueline Brito
Hilda María Rodríguez
Judy Baca
Grupo de Video:
Luna Marán
Julia Barco
Nadia Massun
Marietta Bernstorff
Lucero González
Group Advertencia Lírika: Rap
Ixchel Alejandra López Jiménez
Marlene Cruz Ramírez
La Piztola (grupo de Estencil de Oaxaca)
(Rosario Martínez Llaguno, Roberto Vega Jiménez, Yankel Balderas Pacheco)
Bolsa de Mercado: 95 productos made by women artists - Craft
MAMAZ group at the opening of the Biennale. Center Wilfredo Lam Contemporary Art, 03.27.2009 to 04.30.2009 La Habana Vieja, Cuba HAVANA BIENNIAL
X
INTEGRATION AND RESISTANCE TO THE GLOBAL ERA
In Ibil Hernández Abascal in 2007, one of the curators of the Biennial of Havana, visit Oaxaca where he meets the project "Maize is our life. " Moved by this voice of protest, consisting of the most diverse languages \u200b\u200band discourses, which seeks to educate and raise awareness to consumers on a crop that is actually CULTURE and an essential part of our identity, Ibil Hernández decided to include it in the next Biennial.
For the Biennial, THE CORN IS OUR LIFE, curated by Bersntorff Marietta, outlined in the Provincial Center of Plastic Arts and Design, an old two-story and personality. The exhibition brings together around 25 artists and is composed of photographs, video, installation, shadow theater, poster and a piece of intervention. It opens with a presentation by the curator Marietta Bernstorff and tamaliza, and soon became a party with music, mezcal and much corn.
Visited by hundreds of people, the show received favorable reviews, it was one of the projects which best reflected the premise of the Biennale. "Corn is our life" converges but not merged, respecting each source and context, linking the different voices in a cry dealer and relentless. Defending addition, a clear victim of globalization, and here I mean not only to corn as feed, but corn as identity, the identity of a people thousands of years.
Jessica Segall, 2009 Accompanying
the exhibition was the project "MARKET BAG", who participated with about 95 objects developed by artisans and artists from Mexico and Cuba.
Also, on March 20, opened the workshop on "Meeting of manners" taught by Marietta Bernstorff, with the participation of 25 Cuban women. This group talked about the origin of maize, differences in native seeds and the taste of food made with natural varieties, in order to bring "back the memory of our cultures."
During the workshop, and after covering the theoretical framework, we divided the group into two, half worked on native corn and the other half with transgenic maize. With the results of this activity made a collage piece that served as the entrance to the exhibition and a symbol of our solidarity with the Cuban women.
LaPiztola, 2009 
Emilia Sandoval, 2009 
Mariana Gullco, 2009 
Martha Toledo, 2009 
Adriana Calatayud, 2009 
Juane Quick to See Smith , 2009 
Juane Quick to See Smith, 2009 
Opening the sample, La Habana 2009 Artists invited (Mexico, USA and Cuba), curated by Marietta Bernstorff:
Guisande
Selma Emilia Sandoval Adriana Calatayud
Gullco
Mariana Lorena Silva Gitte Daelin
Martha Toledo
Sara Santos Ana Corenstein Woldenberg
Mari Olguín
Juane Quick to See Smith
Jessica Segall
Jacqueline Brito
Hilda María Rodríguez
Judy Baca
Grupo de Video:
Luna Marán
Julia Barco
Nadia Massun
Marietta Bernstorff
Lucero González
Group Advertencia Lírika: Rap
Ixchel Alejandra López Jiménez
Marlene Cruz Ramírez
La Piztola (grupo de Estencil de Oaxaca)
(Rosario Martínez Llaguno, Roberto Vega Jiménez, Yankel Balderas Pacheco)
Bolsa de Mercado: 95 productos made by women artists - Craft
Shower Invite Poems Asking For Money
PAR to PAR
Lucero González, 2008
Gabriela Sánchez, 2008
Ira Bernstorff, 2008
Salime harp, 2008
collective Sample MAMAZ
November 2008 / Manuel Felguérez / Media Center CNA / Mexico City
Ana Gómez, 2008
Emilia Sandoval, 2008
Sara Corestein, 2008
November 2008 / Manuel Felguérez / Media Center CNA / Mexico City
Ana Gómez, 2008 The festival Par-A-Pair held in Mexico City in November 2008 with the aim of promoting exchanges between art, free technologies and critical actions. That is, seeking to generate collective participation mediated creative dialogue and the search for agreements based on the analysis and production of projects Real inscidencia social spheres.
for 7 days people from different backgrounds and profiles gathered to germinate projects that include the creative use of technology in the construction of public spaces for critical discussion.
for 7 days people from different backgrounds and profiles gathered to germinate projects that include the creative use of technology in the construction of public spaces for critical discussion.
Emilia Sandoval, 2008 In this context the group MAMAZ (Women Artists and Corn), which has a resistance project focused on promoting peaceful critics as a means to raise awareness about the problem of food and corn, made a presentation y exibición titulada EL MAÍZ ES NUESTRA VIDA.
Sara Corestein, 2008 El colectivo MAMAZ, ejerce el derecho de crítica desde el campo del arte. Considera que la participación activa es necesaria, por lo que ha convocado a mujeres —artistas, artesanas y creativas en general— interesadas en hablar del tema de la alimentación y el maíz desde sus distintos campos de acción. Mediente la participación de diez artistas del colectivo y a través de diversos medios, confrontaron la historia, el mito, la importancia alimenticia, la alteración transgénica y el alza de precios del maíz.
Parallel to the sample
spoke of the use of open access resources to disseminate the project.
Parallel to the sample
spoke of the use of open access resources to disseminate the project.
Lucero González, 2008 
Gabriela Sánchez, 2008 
Ira Bernstorff, 2008 
Salime harp, 2008 Participants: Emilia Sandoval, Lucero González, Ira Bernstorff, Ana Gómez, Sara Corestein, Salime Harp, Minerva Hernández, Gabriela Sanchez, Christa Klinckwort and P. Castellanos.
Aspartame And Sugar On Teeth
The Stock Market MAMAZ
Casa Lamm, 2008
The Stock Market, supplementing the draft Corn is our life, is an additional exposure itinerant art-object which local women are integrated by the workshops generated by cultural institutions where the sample is exposed. Here, artists, local curators invited a group of local guests who are working with this issue involved a two-day seminar to women who take this workshop produced two pieces for the stock market. The
first day of women see a short DVD about the history of corn, talk about the difference of native seeds and transgenic __, the global status of native seeds, and finally through the taste of food made of native corn bring back to the memory of our cultures, this is the reason why it is extremely important to keep these seeds and our memory alive. During the second day of the workshop, women participate in the creation of a product as they examine other parts of the exhibition and other works of art in various exhibitions in the context of what can be included as a piece for this exhibition.
Casa Lamm, 2008
These workshops are free for the women concerned and occur in cities where the sample is exposed, growing exposure of art-object and knowledge of this global problem. In this project, women work with the same concept CORN IS OUR LIFE, issues directly related to the maize seed and the memory of a culture. Women generally are already aware of Crafts, are of all ages and represent different cultures as economic and social strata. While the participants make their objects, they tell their story and what it represents for them corn as a symbol within the context of globalization and global challenges, these stories are documented for the next sample giving the participants an idea of \u200b\u200bwhat other women think about corn and they are doing to help save native seeds and memory culture. This project was exhibited at Casa Lamm in Mexico City and the Museo de Santo Domingo in San Cristobal de las Casas, Chiapas 2008.
Tannery, 2008
Green Corner, DF. 2008
Courtesy of Armando and Gabriela, the restaurant Itanoní, Oaxaca
Green Corner, DF. 2008
Cortesía de Armando y Gabriela, del restaurante Itanoní , Oaxaca
San Cristobal de las casas, 2008
San Cristobal de las casas, 2008
San Cristobal de las casas, 2008
Casa Lamm, 2008 The Stock Market, supplementing the draft Corn is our life, is an additional exposure itinerant art-object which local women are integrated by the workshops generated by cultural institutions where the sample is exposed. Here, artists, local curators invited a group of local guests who are working with this issue involved a two-day seminar to women who take this workshop produced two pieces for the stock market. The
first day of women see a short DVD about the history of corn, talk about the difference of native seeds and transgenic __, the global status of native seeds, and finally through the taste of food made of native corn bring back to the memory of our cultures, this is the reason why it is extremely important to keep these seeds and our memory alive. During the second day of the workshop, women participate in the creation of a product as they examine other parts of the exhibition and other works of art in various exhibitions in the context of what can be included as a piece for this exhibition.
Casa Lamm, 2008 These workshops are free for the women concerned and occur in cities where the sample is exposed, growing exposure of art-object and knowledge of this global problem. In this project, women work with the same concept CORN IS OUR LIFE, issues directly related to the maize seed and the memory of a culture. Women generally are already aware of Crafts, are of all ages and represent different cultures as economic and social strata. While the participants make their objects, they tell their story and what it represents for them corn as a symbol within the context of globalization and global challenges, these stories are documented for the next sample giving the participants an idea of \u200b\u200bwhat other women think about corn and they are doing to help save native seeds and memory culture. This project was exhibited at Casa Lamm in Mexico City and the Museo de Santo Domingo in San Cristobal de las Casas, Chiapas 2008.
Tannery, 2008 
Green Corner, DF. 2008 Courtesy of Armando and Gabriela, the restaurant Itanoní, Oaxaca
Green Corner, DF. 2008 Cortesía de Armando y Gabriela, del restaurante Itanoní , Oaxaca
San Cristobal de las casas, 2008 
San Cristobal de las casas, 2008 
San Cristobal de las casas, 2008 Tuesday, August 25, 2009
How To Get Ps3 Out Of Demo Mode
Notebooks
This, for the non-Venezuelan home, are the books that we used when we were little (or when we were Chamos , which is the word used by the land). In reality, we who were born in the 70's and early 80 approx.
is a wonderful design of those who construct imaginary ...
Image Taken from the blog http://cuandoerachamo.com/ , highly recommended Pa'Los nostágicos of those parts. 
This, for the non-Venezuelan home, are the books that we used when we were little (or when we were Chamos , which is the word used by the land). In reality, we who were born in the 70's and early 80 approx. is a wonderful design of those who construct imaginary ...
Image Taken from the blog http://cuandoerachamo.com/ , highly recommended Pa'Los nostágicos of those parts.
Where To Get Shiny Pokemon In Heart Gold
We're not dead, we de parranda
And to know that we seem to have done little and, moreover, with the summer falling in Madrid seem to have the perfect excuse to justify what inactualizado until today, of course, has been our blog. Although ill for many ...
course, we have come and we have seen interesting things about the Caribbean, that we ourselves, YoSoyElOtro and his combo, and with heat and this and what another swim in the blog.
Pa'lante But as we work and careful look at every little thing we remember the Caribbean in Spain and listening to various proposals that make us buddies.
Y. .. what things are and what things we have proposed.
Ah, well we forgot to comment on something that combines several things: http://autobusencuesta.blogspot.com/ the blog of one of the heads (hot) of this court.
And ... for September and to continue informing them of the activities of the Caribbean side of the pond with our NewsLetter. There
I have a couple of pearls ... and pun intended ...
Monday, August 24, 2009
Sternocleidomastoid Lump In Baby
Al finalizar la exposición "El maíz es nuestra vida" en el museo de Historia Natural, where 48 women and creativity join forces in a protest pro maize, the idea, building on the momentum, to create a collective.
MAMAZ born and developed in early 2008. It is an open group where the need to raise awareness is the only requirement. MAMAZ also participated in several exhibitions and to further enhance "the corn is our life" (first exhibition), has generated other side projects so as to reach a wider audience.
The Stock Market, for example, was also born in 2008, is a project of objetoarte which involved nearly 150 women, artists, artisans, peasants, housewives, etc. anyone with Corn story to tell.
mamazmarketbag.pbworks.com
the group also organizes workshops that are held in communities, or in exchange with other groups of women. These are speech and debate on the state of waking consciousness corn also are invited to do something to the bag, looking for his approach to corn is not just theoretical, they feel it, to express that relationship in three dimensions.
Project of stock market and the blog are run by social activist and artist, Marietta Bernstorff, who tirelessly visits communities and festivals promoting the conservation of landraces and our food independence.
Monday, August 17, 2009
How Often Should Geckos Eat Pinkies
When asked whether or not the application for the construction of a new airport in the towns of Navan, The Alamo, respond that today there is no such order. However not respond to the last question that in the absence of such a request why is that such an announcement, which we must emphasize that it sets date for even the beginning of work (2 nd half of 2010), despite not having even further studies or environmental impact or feasibility, or anything , and certainly not for the master plan, scheduled for February 2010. I suppose then assume that relevant studies and analysis will be totally discounted (of course).
not respond to any other further questions.
So who is lying? Does the Community of Madrid or Promotion? Or both? it is clear that someone does and blatantly, so for all those naive or unbelievers still think that the new airport will be beneficial to the area, just tell them that if they benefit out unto us why lie? Would not it be better to announce with great fanfare that we all knew how well we live now? Why we are not being kept informed that despite seeking support and consensus of the citizens?
Greetings.
Monday, August 10, 2009
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