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PAR to PAR

collective Sample MAMAZ
November 2008 / Manuel Felguérez / Media Center CNA / Mexico City


Ana Gómez, 2008

The festival Par-A-Pair held in Mexico City in November 2008 with the aim of promoting exchanges between art, free technologies and critical actions. That is, seeking to generate collective participation mediated creative dialogue and the search for agreements based on the analysis and production of projects Real inscidencia social spheres.

for 7 days people from different backgrounds and profiles gathered to germinate projects that include the creative use of technology in the construction of public spaces for critical discussion.

Emilia Sandoval, 2008

In this context the group MAMAZ (Women Artists and Corn), which has a resistance project focused on promoting peaceful critics as a means to raise awareness about the problem of food and corn, made a presentation y exibición titulada EL MAÍZ ES NUESTRA VIDA.

Sara Corestein, 2008

El colectivo MAMAZ, ejerce el derecho de crítica desde el campo del arte. Considera que la participación activa es necesaria, por lo que ha convocado a mujeres —artistas, artesanas y creativas en general— interesadas en hablar del tema de la alimentación y el maíz desde sus distintos campos de acción. Mediente la participación de diez artistas del colectivo y a través de diversos medios, confrontaron la historia, el mito, la importancia alimenticia, la alteración transgénica y el alza de precios del maíz.
Parallel to the sample
spoke of the use of open access resources to disseminate the project.

Lucero González, 2008

Gabriela Sánchez, 2008



Ira Bernstorff, 2008



Salime harp, 2008

Participants: Emilia Sandoval, Lucero González, Ira Bernstorff, Ana Gómez, Sara Corestein, Salime Harp, Minerva Hernández, Gabriela Sanchez, Christa Klinckwort and P. Castellanos.

Aspartame And Sugar On Teeth

The Stock Market MAMAZ

Casa Lamm, 2008

The Stock Market, supplementing the draft Corn is our life, is an additional exposure itinerant art-object which local women are integrated by the workshops generated by cultural institutions where the sample is exposed. Here, artists, local curators invited a group of local guests who are working with this issue involved a two-day seminar to women who take this workshop produced two pieces for the stock market. The

first day of women see a short DVD about the history of corn, talk about the difference of native seeds and transgenic __, the global status of native seeds, and finally through the taste of food made of native corn bring back to the memory of our cultures, this is the reason why it is extremely important to keep these seeds and our memory alive. During the second day of the workshop, women participate in the creation of a product as they examine other parts of the exhibition and other works of art in various exhibitions in the context of what can be included as a piece for this exhibition.

Casa Lamm, 2008

These workshops are free for the women concerned and occur in cities where the sample is exposed, growing exposure of art-object and knowledge of this global problem. In this project, women work with the same concept CORN IS OUR LIFE, issues directly related to the maize seed and the memory of a culture. Women generally are already aware of Crafts, are of all ages and represent different cultures as economic and social strata. While the participants make their objects, they tell their story and what it represents for them corn as a symbol within the context of globalization and global challenges, these stories are documented for the next sample giving the participants an idea of \u200b\u200bwhat other women think about corn and they are doing to help save native seeds and memory culture. This project was exhibited at Casa Lamm in Mexico City and the Museo de Santo Domingo in San Cristobal de las Casas, Chiapas 2008.

Tannery, 2008

Green Corner, DF. 2008
Courtesy of Armando and Gabriela, the restaurant Itanoní, Oaxaca

Green Corner, DF. 2008
Cortesía de Armando y Gabriela, del restaurante Itanoní , Oaxaca

San Cristobal de las casas, 2008

San Cristobal de las casas, 2008

San Cristobal de las casas, 2008

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Notebooks

This, for the non-Venezuelan home, are the books that we used when we were little (or when we were Chamos , which is the word used by the land). In reality, we who were born in the 70's and early 80 approx.

is a wonderful design of those who construct imaginary ...

Image Taken from the blog http://cuandoerachamo.com/ , highly recommended Pa'Los nostágicos of those parts.